How Bridgerton Created Sophieâs Cinderella Look
- - How Bridgerton Created Sophieâs Cinderella Look
Emily BurackFebruary 1, 2026 at 9:30 PM
0
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links."
There were high expectations for Bridgerton season fourâparticularly around the ball when Sophie (Yerin Ha) meets Benedict (Luke Thompson) for the first time. The story is drawn from the quintessential Cinderella fairytale (as adapted from An Offer from a Gentleman by Julia Quinn); instead of leaving a shoe behind when the clock strikes midnight, however, Sophie leaves a glove.
When Yerin Ha first put on her âLady in Silverâ dress for the masquerade ball, she tells T&C, âI really did feel like Cinderella. I remember I was like, âOh my god, Iâm a princess!ââ Nic Collins, the hair and makeup designer, and John Glaser, the costume designer, collaborated to bring the outfit to life. âWe worked on the same corridor next door to each other. We spent most of our time in and out of each otherâs roomsâevery single element is thought about, everything,â says Collins.
Here, how each element of the look came together:
The dress
Sophie and Benedict meet for the first time. Netflix
In An Offer from a Gentleman, Sophieâs masquerade outfit is described as an old silver dress. âAt the very bottom of the trunk theyâd found an exquisite creation of shimmering silver, with a tight, pearl-encrusted bodice and the flared skirts that had been so popular during the previous century,â Quinn writes. âSophie felt like a princess just touching it. It was a bit musty from its years in the trunk, and one of the maids quickly took it outside to dab a bit of rosewater on the fabric and air it out.â
The show tweaks this discovery. âAs you know that dress is supposed to be from the atticâitâs her grandmotherâs,â says Glaser. âWe started with that type of period dress, but it didnât really work because we're saying we have to think of our audienceâand putting an old dress on a young girl just was not a good thing. So talking to [executive producer] Betsy Beers from Shondland, we decided to make it her cousinâs dress. Itâs a fantasy shape and fantasy fabrics and it just has to be attractive to Benedict and attractive to our audience to think itâs a pretty dress.â

A poster for the Disney version of Cinderella. LMPC - Getty Images
Initial versions of Sophieâs dress paid closer homage to Cinderella. âIt started out as a fuller skirt, like you think of a Cinderella skirt, but thatâs what wasnât working. It was like, âAll right, this is not pretty and itâs a Disney dress.â It couldnât be a Disney dress,â says Glaser. George Sayer, the assistant costume designer who created the dress, adds, âIt was much more corseted. We dropped the waistline right down when we did that incarnation of it. We went back to Regency and then we changed up again, which we went through three different stages to get to where we are.â
The final version of the dress was made using Italian silver lamĂ© chiffon and hand-layered sequins for maximum onscreen sparkle. âIt was quite good to change the dress,â she says, âso it didnât look like every other Cinderella dress. So it was good to be able to go by the Regency shape.â
The mask
Sophieâs mask covers the majority of his face. Netflix
The first iteration of Sophieâs mask was a lace one that wrapped around her face, but you could still see who she was. âHer mask started out much more simple and more transparent, but it didnât serve the story because he would have known who she was,â Glaser says. âSo we had to have a larger mask, a more opaque mask. And because of that, if you see the rest of the crowd, thereâs other people that have masks that are similar to her shape, so that hers doesnât stick out and that would help confuse him a little bit.â
He added, âIf it was [up to us] it wouldâve been a little piece of lace. But then, Benedict wouldâve looked really stupid!â
The hair
A view of Haâs hair in the scene. Netflix
âStoryline really dictated her look,â explains Collins. âThis is an off the cuff incident that sheâs here. She wasnât invited, she didnât know it was happening. We wanted it to be realistic.â
Ha has long hair, so Collins began thinking about how to make her hair both look real and ball-worthy. âAt first there was talk about a wig,â she says, but that raised too many questions: âWhere would she get the wig from? Whoâs wearing the wig? How does she put the wig on, how does it come off?â The logistics of the wig, she says, âdidnât sit well.â
So the team decided on something much simpler: A braided updo. âI love braid work,â Collins says. âIâm a big fan of braiding hair. We did a five stem braidâwe tested a three stem, four stem, and a five stem just to see which one slightly to what level we wantedâand then just basically placed it as a crown. It just works because itâs simple.â
The makeup
Ha has lip tint, blush, and eyeliner on for the scene. Netflix
Since Sophie is a servant, the team thought about what products Posey, Rosalind, and Araminta would have lying around. So even though the mask covers most of Sophieâs face, she does have makeup on: blush, lip balm, and eyeliner.
âThere is rouge, blush, balm, and [other] makeup in the house,â says Collins. âThat was the whole idea: We would just flush up the cheeks and put a bit of balm on the lips, like a crimson, poppy color, so that you see it. And even that little bit is such a big contrast to how we see her normal in her maid look with no makeup.â
Chubby Stickâą Moisturizing Lip Color Balm
26.00 at clinique.com
For lips, they used Cliniqueâs Chubby Stick dabbed on top of some Carmex.
The eyeliner, Collins says, âis just to give definition. Because as a maid, she doesnât take kohl [on her eyes]. But when you put those masks on, theyâre quite stark. You need a little bit of a line just to identifyâotherwise you start losing the eyes. You have to take that into consideration.â
Ha, Collins explains, âis quite serious and sheâs quite method, so she doesnât like too much to be applied at all, she likes to keep it in character. I admire any actor that wants to work that way.â
The accessories
In Cinderella, she leaves behind a glass slipper. In Bridgerton, Sophie leaves a single glove. Netflix
Of course, key to the scene is Sophieâs glovesâshe leaves one behind, and Benedict picks it up and uses it to search for her. The vintage satin gloves have Dior-inspired monogram. Her shoes are a modified silver Jimmy Choo heel.
You Might Also Like
12 Weekend Getaway Spas For Every Type of Occasion
13 Beauty Tools to Up Your At-Home Facial Game
Source: âAOL Entertainmentâ